The Story of Stripes and Dots (Chapter 2) is one of pattern and form - the object and the surface it presents. The familiarity of these two motifs with regards to both fashion and art history propose the development of a simple visual language. A stripe seen from head-on is a dot, a dot seen from the side could very well be a stripe. Dots are points in a conversation - the tangential narrative of said conversation is represented with a stripe. These two hallmarks of abstraction are used within this series to develop a surface-language with which to read the forms they are applied to. Separated into chapters, the gesture of each exhibition suggests a back-story while insinuating a future use for the subject of stripes and dots.